The Old Ways is a horror film set in the Amazon rainforest. It tells the story of an indigenous tribe who for centuries have lived according to their ancient traditions, but are now facing extinction.
The Old Ways is a horror film that takes place in the Amazon Rainforest. It follows three friends who are trying to survive after they’re stranded there, and it’s set during a time when traditional ways of living are being lost.
The Old Ways begins with a little girl witnessing a ritual being conducted on her mother. The fear of what will happen to the little girl and the other individuals in the room is palpable. The film does not spare any time in providing both jump scares and tension to the audience. As you may have seen from the teaser, The Old Ways is not your average horror film.
The Old Ways doesn’t waste any time in moving the story along. Cristina (Brigitte Kali Canales) is instantly introduced to the viewer, tied and hooded, terrified while a guy carefully and thoughtfully lights the candles in the room. There is no explanation for who she is or why she is being kept captive, thus the typical introduction and capture of the main character in a horror film is not possible. It ties our initial scene’s tension to the present, anchoring viewers to the screen with a combination of curiosity and dread.
As viewers attempt to find out how Cristina got up in this position, it becomes apparent that she is being held captive for her own and others’ protection. Cristina is possessed by a demon, which Cristina’s son and the local bruja (sorceress) are desperate to expel.
The movie The Old Ways is a work of art. Despite its flaws, it succeeds in bringing to life a heartbreaking portrayal of addiction and rehabilitation. It joins a growing list of horror films that use the horror genre to address important social problems. The Old Ways is a film that employs traditions, culture, and denial to depict a difficult path that goes beyond the screen. While some of the film’s investigations and portrayals are a bit too on the nose at points, it is a picture that utilizes rituals, tradition, and denial to depict a difficult path that goes beyond the celluloid.
The film is full of leaps and tension, making it difficult for spectators to tell if they are witnessing a monster or Cristina’s mental will. Gore makes an appearance in the film, although it is subtle and purposeful. It’s never simply there for the sake of being present; it’s always present for a purpose.
Brigitte Kali Canales brilliantly captures Cristina’s denial, the dread she exudes buried deep, much like the horrors her character tries to forget. She puts on a tough front for her role while hiding her wounded self’s vulnerability under the surface. While Canales first seems uncertain of her setting and location, both of which detract from the film while also creating an out-of-place backdrop, she ultimately settles into her part and embraces her character and the journey. Andrea Cortes, like her character, rises to the gruesome task. Her character is very dedicated to her culture and family. Her emotional balance also reflects the calmness of her life and her faith in both. In the film’s darkest scenes, Cortes utilizes her understanding of who she is and where she comes from to shine.
The audience is presented with a basic set by The Old Ways, which speaks of the darkest corners. The movie is mainly focused on two areas in the house: the kitchen area and Cristina’s room. While there are shots of caverns and the forest beyond, the video is primarily focused on two rooms in the house: the kitchen area and Cristina’s room. Little votive candles provide just a small quantity of light, lighting only a small portion of the room and creating deep shadows in the corners, the darkness almost reaching Cristina. Beyond the candles, painted symbols on the wall surround the story, our protagonist, and the audience in culture and ritual, which is compounded by each character’s initial lack of comprehension.
The Old Ways is mainly about rehabilitation and addiction. Cristina used an amazing narrative technique to bridge the communication gap between the bruja and her kid. It not only increased the information gap, but it also encapsulated the struggle that occurs between an addict and those who are attempting to assist them. Comprehension is lacking, and communication mechanisms have yet to be established. There is a desire to help, but neither party can start the discussion.
Cristina’s demon is addiction, which comes from an event she has been avoiding and scared to talk about. Carrying this burden makes her feel lonely, as does the realization that she will have to battle alone if she is to fight back. As a consequence, there is a sense of denial. There is a denial that she has a demon or is an addict, as well as a denial that she need therapy – both of these denials and acceptances are changing her as a person. “You still don’t believe,” Miranda, her cousin, says.
Platitudes abound, as does acknowledgement of Cristina’s true lack of control over the actions associated with her “monster” – “This isn’t you.” Cristina must acknowledge her position and desire aid, no matter how much support is given or how many beautiful words are spoken. Until then, people who care about her must make every effort to reach out to her.
Some horror movies attract audiences with their visuals and substance. “The Old Ways” is one of these flicks. It also lives up to expectations. It’s both amusing and frightening, concentrating on important topics while still providing strong and severe scares. Overall, The Old Ways is a triumph of possession, and it is, in some ways, the finest and most introspective picture since Daniel Stamm’s underrated The Last Exorcism ten years ago. It’s a deceptively simple exorcism thriller with a lot of power and a lot to say about culture and personal identity.
SCORE: 6 OUT OF 10
The Old Ways is a 2017 horror film that follows three friends who travel to the Amazonian rainforest in search of an ancient ritual. Reference: 2017 horror movies.
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